Tinta Acetinada Ou Fosca
Ink color

There is ink color in the world, or it is as clear and elegant as autumn water, or it is as gloomy as the twilight clouds, each showing its own rhyme, with thousands of interests.

To observe the subtlety of a husband's ink, care about the shades. The light ink, if the light smoke curls, above Suxuan, outlines the hazy mountains and rivers, and paints the poetic realm. Its light but not thin, seems to be between nothing, hides endless meditation, like a hermit in the mountains and forests, independent of the world, and leisurely.

The thick ink is not the case, its color is dignified and deep, like the abyss of the dark night, containing majestic power. Where the ink falls, it seems that you can hear the sound of thunder and see the momentum of ten thousand troops. Drawing strange peaks with thick ink, the peaks and mountains are like iron casts, steep and steep, straight into the sky; write ancient pine, pine needles are like halberds, showing the state of vigor and splendor.

However, the beauty of ink color is not only thick and light, but also divided into dry and wet. Dry ink is dry and can produce rhyme, rubbing on the paper, like the autumn wind sweeping the leaves, rustling, where the pen passes, there seems to be traces of time, and the sense of vicissitudes leaps on the paper. It can show the desolate and cold scenery, and the image of sparse painting, making the viewer's heart lonely and thinking about the ages.

Wet ink is moist and affectionate, and the ink and wash blend, if the clouds are steaming and the clouds are beautiful, it is smart and fresh. Dyeing the water with wet ink, the color of the water is diffuse, just like a river of spring water flowing eastward, endless tenderness, flowing leisurely. It can be painted in the misty rain in the south of the Yangtze River, in the spring rain of apricot flowers, the hazy poetry is coming to the face.

The use of ink color, your mileage may vary, each has its own good. There are those who take light ink as their sect, pursue the elegant and ethereal realm, view things with their hearts, and control ink with their intentions. The scenery under the pen is like a dream bubble, if it is absent, it attracts reverie. There are also those who love thick ink, with its thickness, express the blockade in the chest, use ink as a sword, cut through the sky, and draw the majestic and magnificent scenery of the world.

Dry ink and wet ink, also at will. Or at the beginning of the creation, lay out the wet ink to create a dense atmosphere; then outline it with dry ink to highlight the charm of muscles and bones. Or first set the shape with dry ink, and then render it with wet ink to make the picture rich in layers and full of flesh and blood.

Ink color is really the soul of calligraphy and painting. With different ink colors, it expresses thousands of weather, sending feelings to the end, and conveying hearts and minds to the paper. Or light, or heavy, or dry, or moist, it is the language of ink, telling the world's joys and sorrows, and breaking the mystery of heaven and earth. Those who are good at using ink can show the wonders of the universe and the wonders of ink color between square inches, which is endless.